New Vintage Sharon Article Translated, One of Sharon's friends is the center of another article, More photos of Sharon, Another Letter from Sharon, and Sharon mentioned wearing one of the 10 best outfits in Movie History

This is an article granted to me by our wonderful contributor, Andrea!

TRANSLATION:
TITLE:  SHARON TATE HAD A MISFORTUNE WITH HER MINI SKIRT

Paris is no luck for Sharon Tate and her young husband director Roman Polanski.

A few months ago in the Capitol of France, Polanski was attacked by a few

aggressors, and lost a tooth while he was walking with his wife by the river Seine.

Their last visit to Paris has invited some misfortunes again.

Young married couple had a bad quarrel in a restaurant.

Polanski must have gone too far, so that he left Sharon at a restaurant crying and she took the first taxi she met.

People who go around wearing mini skirts should behave properly all the time.

Someone who gets angry and loses control, may meet some unpleasant surprises.

This was the same for Sharon. She did not realize that she had bended too much while she was getting into

the taxi.  She just saw the photographer after settling down and tried to smile.

Her smiling photo was on the newspapers of the day after, with the other two.

In the morning; seeing her "terrible" photos on the newspapers, should have affected the beautiful star's mood badly, so that she failed because of not paying attention to the last step of the stairs while she was leaving the hotel same day.

*Kind of an odd article but then again it looks like it came from a Turkish magazine and I don't think Turkey probably took to kind to people wearing mini skirts and such so maybe that is why they chastizied her for it.  And also, if this was suppose to be the same day she 'cried' over Polanski, then why is she seen happy and smiling here?  Just one more thing to add; I seriously doubt Sharon felt too terrible about these photos in the paper.  Sharon was prone to wearing the shortest mini skirts and was not ashamed of the body.  So... um, whatever, I suppose? 

Here is an article on one of Sharon's friends, Maxine Leighton:

http://www.theepochtimes.com/n2/content/view/50985/

Here are some great links for more photos of Sharon:

http://foucaultvsthemoonmen.tumblr.com/post/3005727348/sharon-tate

http://retrogasm.tumblr.com/post/3206967342/sharon-tate

http://www.fanpix.net/picture-gallery/sharon-tate-picture-13705416.htm

http://www.life.com/image/50539798/in-gallery/23183/actors-who-died-before-30#index/5

It seems since Heritage Auctions posted and sold some of Sharon's old letters recently that many of them are popping up on the net:

This letter comes from: http://twitter.com/Thebritishladyv/status/33110633469706240

Here is another mention of stylish Sharon:

http://blogs.villagevoice.com/dailymusto/2011/02/the_10_best_fem.php

Until next time... Yours, Mike

For Thursday, December 30, 2010: Emmanuelle Seigner Singing and More Art of Sharon

Here are some recent photos of Emmanuelle singing.  She looks great and the dress she wears is something Sharon would have loved:

And here is some more great art of Sharon! :

This was sent to me from Natalie in Poland.  Thanks so much Natalie! Lovely Work! :

The one below is a new one from Deviant Art:

And I can't post Sharon art without adding Kerstien's fine site!

Her link:

http://www.kerstien.se/sharoninart.htm

Photo of the Week, More Great Links for Sharon, and Patty Duke Talks About Sharon

Here is our lovely photo of the week:

By Jerry Schatzenberg

It comes from this website:

http://www.artnet.com/AUCTIONS/Pages/Lots/35569.aspx?lotId=35569&page=1

Thanks to Muriel for the link!!!

Here are some more great links for Sharon fans! :

http://www.polyvore.com/sharon_tate/group.show?id=95768

http://sharonandromanlove.tumblr.com/

Patty Duke recently spoke about her career and Sharon:

Thanks for this link from Melissa!

http://www.aintitcool.com/node/47471

Here is what she says about Sharon:

Patty Duke

Capone (Interviewer) : I had read somewhere that your relationship with Sharon Tate on the film, that she was really the first person to teach you about wearing makeup and doing your hair.

PD: Oh God! First of all she was as much an angel on the inside as she was on the outside, and people like to think of beautiful people like that, especially blondes, as if they are airheads. There was nothing airhead about this lady. At any rate, we had fun. She taught me how to make up my eyes. She wore this pencil thing over her lid and she perfected it and she taught it to me. Unfortunately I didn’t have her lids.

Capone: I think people don’t give her enough credit as an actor either, because her talent was often kind of lost behind this pretty face.

PD: Exactly, yeah. You are so stunned by that kind of beauty, that you often don’t look past it, and I actually thought of all of us, she did the best acting job in the movie, because she never went over the top. She couldn’t have, because I was taking up all of that space.

Photo Comparison of the Week, More Fantastic Videos of Sharon from Artist Kerstien Matondang, Style Icon Sharon and More on Polanski

Here is the photo comparison of the week:

The eyeglasses, hair and even the clothes remind me of something Sharon would wear. ;)

From Vogue Magazine: A Dolce and Gabbana Ad.

The great artist Kerstien Matondang has uploaded two great mini movies here:

http://kerstien.se/_bluerayforsharon_.htm

http://kerstien.se/star_for_sharon.htm

Please be sure to check out her site for more...

http://www.kerstien.se/sharoninart.htm

And be sure to leave your comments on her guestbook here:

http://99419.netguestbook.com/

Here is another blogger showing photos of Sharon as a style icon:

http://www.iadorestyle.com/2010/04/style-icon-sharon-tate/

And here is a new article on Polanski and his talent:

http://www.ft.com/cms/s/2/263c350c-435b-11df-833f-00144feab49a.html

Roman Polanski has 'the gift of the nose'

By Tobias Grey

The gift of the nose” is how Jerzy Mierzejiewski, one of Roman Polanski’s teachers from the Lodz Film School in Poland, summed up his young protégé’s uncanny ability to make films that reverberate with audiences on several levels.

Robert Harris, who adapted the film’s screenplay from his book ‘The Ghost’, at the Berlin Film Festival in February.

Even now, at the age of 76, Polanski knows how to sniff his way to a good film. His 18th feature, The Ghost Writer, which won the Silver Bear at this year’s Berlin Film Festival, is the latest in a long line of Polanski pictures where art and reality have become inexorably entwined.

Yet that was never his original intention. Polanski first contacted the novelist Robert Harris to see if he could make a film out of Harris’s novel Fatherland, an alternative history of the second world war with Nazi Germany as the winners. Told that the rights for Fatherland were gone, Polanski read his way through the rest of Harris’s oeuvre until he got to Pompeii, the English author’s novel about ancient Rome.

Harris agreed to write Polanski a screenplay. But in 2007, just as Polanski was about to start principal photography on the $100m budgeted film, the project became derailed by a looming Hollywood strike. A dogged Harris then sent Polanski his just-finished novel The Ghost, a roman à clef about a professional ghostwriter employed to write the memoirs of a former British prime minister who bears more than a passing resemblance to Tony Blair.

Ten days later Harris received a phone call from Polanski saying he would like to make a film out of The Ghost and asking Harris again to write the script.

“Providence!” exclaims Harris, who altogether spent two-and-a-half years working with Polanski on the two scripts. “It was far more suitable as a Polanski film than Pompeii was.”

Harris points to The Ghost’s isolated setting, its sexual tension and the master/servant relationship between the former prime minister (Pierce Brosnan) and his ghostwriter (Ewan McGregor) as typical Polanski territory. But what neither Polanski nor Harris could have predicted was that The Ghost Writer’s plot – ex-PM Adam Lang, accused of war crimes, becomes a prisoner in his publisher’s compound – would end up echoing Polanski’s own house arrest in Switzerland for a crime he had committed more than 30 years earlier.

Polanski, who fled the US for Europe in 1978 before being formally sentenced for having unlawful sex with a 13-year-old, was arrested in Switzerland last September after travelling to the Zurich film festival to receive a lifetime award. After spending two months in jail, Polanski was granted house arrest at his residence in Gstaad, where he is still awaiting a decision over his appeals to fight extradition to the US.

“Some American critics said, look how he [Polanski] made this film to parallel his own situation under house arrest,” says Harris. “But that was a long way from our thoughts at the time we wrote the film. He’s funny, Roman: things just happen around him. He’s like a kind of whirlpool where fantasy and reality seem to collide.”

Polanski would likely agree. The opening of his (ghostwritten) autobiography Roman by Polanski (1984), is a confession of a kind: “As far back as I can remember the line between fantasy and reality has been hopelessly blurred. I have taken most of my lifetime to grasp that this is the key to my very existence.”

Harris suggests that it was during the second world war, after his parents were deported from Poland by the Germans (his father survived, his mother didn’t), that Polanski, who was on the run, began to fuse reality and fantasy “by hanging around in movie theatres as a kind of alternative reality”.

Filmmaking has allowed the director to evacuate his demons. His extraordinarily bloodthirsty Macbeth was the film he made after his wife Sharon Tate was murdered by Charles Manson’s gang, while the tag line of Tess, which Polanski made in France after fleeing the charges in the US, reads like reverse propaganda: “She was Tess, a victim of her own provocative beauty.”

Polanski finally felt ready to make a film about the Holocaust – The Pianist – after reading the Polish pianist Wladisaw Szpilman’s memoir of the Warsaw ghetto. For Polanski, who had turned down an offer to direct Schindler’s List because it was set in the Krakow ghetto “just too close to home”, The Pianist was far enough away from his own story to make a film possible.

Harris finds Polanski’s current predicament ironic because the director had felt that during the making of The Ghost Writer his legal situation was improving and that he might soon be able to return to the US. Marina Zenovich’s documentary Roman Polanski: Wanted and Desired came out in Paris, where Polanski lives, during their collaboration in 2008.

“He heard about it when I was sitting with him,” Harris says. “The film makes clear that a deal was done; he pleaded guilty to one charge (unlawful sex with a minor) and the rest was never tested in court. The understanding was that he [Polanski] would not get a custodial sentence and the judge ratted on that.”

With redemption seemingly just around the corner, Polanski and Harris busied themselves writing a film designed to be a pure entertainment in the Hitchcock mould, for once not driven by any personal trauma. Harris’s models for his original novel were North by Northwest and “the entertainments” of Graham Greene. Polanski also discussed Carol Reed’s The Odd Man Out, which according to Harris is “his all-time favourite film”.

As was his wont Polanski made sure that Harris remained as faithful to the source material of his novel as possible. “Whenever I tried to leave something out in the screenplay he’d say, ‘You’ve left out these lines,’” remembers Harris. “‘Don’t f*** with success!’ he’d say. ‘Leave it in.’”

Although Harris wrote all the new film’s dialogue, Polanski would egg him on to put more dark humour into the script. “His default position is that the world is so terrible you have to laugh,” says Harris. “It was like working with a kind of super-editor. Sometimes I had to rewrite each scene 20 or 30 times until they chimed with what he had in his head.”

The other film of Polanski’s that The Ghost Writer most resembles is Chinatown. There is the same idea of a slightly cynical but inherently naive, young man snooping around in matters that shouldn’t concern him as much as they do. How do you end a story like that? In his autobiography Polanski delivers the rare insight that ending films effectively is always the most difficult.

“The film was going to end on an ambiguous note, with Ewan McGregor’s character just disappearing into a crowd,” says Harris. “But just before he started shooting the final scene Polanski said, ‘We can’t have this, it’s got to end on a darker note.’”

‘The Ghost Writer’ is released on April 16

Photo of the Week, "Eye of the Devil" Novel, Sharon's Style, and Roman talks about the light and love he still holds for Sharon

Here is the photo of the week:

I think this photo goes well with what Pierce Brosnan says about how Roman still feels about Sharon:
 

I looked for more of Odile in Philip Loraine's book, "Eye of the Devil."  However, there are only about three brief scenes she is in.  She is just mentioned really.  I am guessing that Ransohoff pushed the writers to make her part broader and more interesting, as I noticed that Philip Loraine--under the name of Robin Estridge-- along with Dennis Murphy wrote the screenplay.

Do you think Sharon would wear this?  Here is a style blog:

http://www.polyvore.com/sharon_tate_21_5o/set?id=16159876

And Pierce Brosnan talked about Polanski again in an interview for "The Ghost Writer" and he mentioned Sharon:

"I lost a wife, and this man lost his wife in the most barbaric fashion. He spoke tenderly and openly about the light and the love that he still carries for Sharon."

Read more: http://www.centredaily.com/2010/02/25/1817158/ghost-writers-real-life-parallels.html#ixzz0gg7TPkFM